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Everyone is good at something…right?
As I stood there watching the young man writhing on the floor, lip locked with a rubber IKEA oven mitt, I wondered what the hell I was doing here.
My friend Abner has been encouraging me to go to auditions, to network, make contacts with script writers. “You’ve got to get out there and follow your dream!” He was right.
Consequently, I’ve been signing up for auditions and taster classes. It’s been something to get me out of the house at weekends. Plus it’s free, which sums up my criteria for entertainment these days.
It’s definitely been entertaining.
At the writer’s workshop, I felt like a moody teenager. I was sat at the back, all dressed in black, screwing up my face every time someone bleated at the opportunity to read their work out.
I was grateful for the pair work. At least then the other person could strain their arm enthusiastically in the air, while I continued to slouch apathetically in my chair and text.
The activity was a silent dialogue, set at a party. Pradeep and I commenced our silent conversation. Needless to say, in real life Pradeep and I would a) Never be found at the same party b) Would never have commenced to converse because I would have been able to see his conversation coming a mile off and hot-tailed it to the bathroom.
Writing classes and workshops are a great place to meet a writing partner; your lobster.
Pradeep was not my lobster.
There weren’t any lobsters. Just people trying to figure out what their ‘love’ was. But maybe loving something wasn’t enough. Nor was Marcela. She gleefully shared her comedy creation, Paul: an extremely fat man good at his job. “Fat isn’t a character flaw. What’s his flaw?”
“He works too hard? But sometimes it’s difficult because… he’s fat!”
“So it’s funny because he’s fat?”
This went on for a while before we all just gave up.
The following weekend I was amidst a group of actors. Some of whom found it hard to mask their disdain at the fact I was a tourist. ‘It seemed like fun’ is not what the competition want to hear at an audition.
They want the part.
They will even use a five minute break to try and get it, as I found when I was faced with the ridiculously energetic Eva. Her heart-rendering performance of the day she fell over in the rain went sadly unnoticed by the director. I think I’d asked her if there was a Tesco nearby.
I couldn’t bring myself to participate in the improv. The group of people on the floor fighting over a toilet brush, while one waggled his tongue in and out his heat protected hand, left me speechless.
I have no problems looking like a fool. I just won’t fight other fools to do it.
They really wanted this. I needed to have that ‘willing to pretend to make it with a glove’ type of desperation. But I couldn’t even make eye contact with anyone. Every line I delivered was aimed at someone’s crotch or my own cleavage.
I was their Pradeep. Their Marcela.
My friend got a part in the play, without having to romance homeware. I signed up for the comedy writing class.
I think my first piece will be a drama about a woman trying to write a play about an overweight man trying to make it as an actor.
Maybe IKEA guy could play him. He seems like he would commit to putting on 20 kilos.
Writer, philosopher, originator of urban myths and deliverer of ghetto fables. I discovered early on in life that I was a magnet for the surreal and wonderful. It's my duty to share it with you in the vain hope you will either learn from my example, or feel less alone in a crazy world. Life is a marathon and I run funny. Watch me go. For editorial pieces, copy or collaborations contact me at email@example.com Check out my editorial portfolio: www.runslikeabeigegirl.com/portfolio You can also see my copy projects at: www.cargocollective.com/seemaiyer